It’s pretty great because we all know these SFX will be used in almost every motion graphic from now on, and as Andrew Kramer says in his tutorials, “It’s really all about customizing what you make so that it becomes unique and truly your own work.” It contains all five libraries plus my personal favorite: the Toolkit, which has some of the pre-layered sound effects separated into their individual layers.įor example, if you love the Machine library with its gears and cranks or attachment sound effects, but want just one part of the effect you can probably find it inside of the Toolkit. The first bundle is the Motion Pulse Black Box, which costs $149.95 (saving you $99). The Motion Pulse libraries can be purchased separately (for $49.99) or as a bundle via the Video CoPilot website. This is where the Motion Pulse Sound Design Tools come in.
#Motion pulse sfx license#
So for someone like me who tries to do as much side editing and motion graphic design work as I can get my hands on, I need ultra-high-end SFX that I can pay for once, download and use without having to license it each time. The only problem was that the KAP library is geared towards high-end productions that license music cues and SFX through ASCAP/BMI instead of a one-time purchase. The new Motion Pulse Sound Design Tools library created by Video CoPilot and its team of audio engineers is a collection of over 2,000 sound design elements, including some of the most monstrous, heart pounding and robotic space sounds I have ever heard.Ībout a year ago I remember being in an audio mixer’s bay hearing a collection of sound effects from the KAP Music Library and thought that I had heard some of the best sound effects ever. At this point you might be sick and tired of my ranting and raving over the products created by Andrew Kramer and the Video CoPilot family, but this review just fuels my enthusiasm further.